Online Library
 Keith Acheson/Christopher J. Maule, The Culture of Protection and the Protection of Culture...
Keith Acheson/Christopher J. Maule, International Regimes for Trade, Investment ... in the Cultural Industries
Theodor W. Adorno, Some writings of Adorno
A sample of Adorno`s ideas on the culture industry and popular music
Cathy Allison, The Challenges and Opportunities of Online Music...
Roger L. Anderson, Ian Anderson's Acoustic Guitar...
Jannis Androutsopoulos/ Arno Scholz, Spaghetti Funk: Appropriations of Hip-Hop Culture and Rap Music in Europe
Gustavo S. Azhena, The Internet and the Decentralisation of the Popular Music Industry
Critic Reflections on Technology, Concentration and Diversification
Benoit Baald, Chaos and Music Reproduction
Max Peter Baumann, The Charango as Transcultural Icon of Andean Music
Marie-Agnès Beau, Hip Hop Rap in Europe
Marianna Belloc, Cross-Cultural Trade and Internal Institutional Stability
Walter Benjamin, The Work of Art in the Age of Mechanical Reproduction (1935/36)
[pdf]
Steven Best/ Douglas Kellner, Rap, Black Rage, and Racial Difference
[pdf]
Kieler Beiträge zur Filmmusikforschung, 2, 2008
John Beverley, The Ideology Of Postmodern Music And Left Politics
Kasie Blanchette, Effects of MP3 Technology on the Music Industry:
An Examination of Market Structure and Apple iTunes
Bob Boross, History of American Jazz Dance
Stuart Borthwick, Dance, Culture, Television:
An Analysis of the politics of contemporary Dance Culture and its televisual represantations
Robart Pahlavi Bowie, Rock video "according to Fredric Jameson"
Ike Brunner, Taken to the extreme: Heavy Metal Cover Songs - The Impacts of Genre
Axel Bruns, Fighting the Hand that Feeds You (If the Body Wears a Microsoft Shirt)
Ian Buchahan, Deleuze and Pop Music
Mark J. Butler, Turning the Beat Around: Reinterpretation ..., and Asymmetry in Electronic Dance Music
Suresh Chandvankar, Indian Gramophone Records - The first 100 years
Dale Chapman, Hermeneutics of Suspicion: Paranoia and the Technological Sublime in Drum and Bass Music
Phil Cheeseman, The History Of House
Andrew Chester, For a Rock Aesthetic I + II
John Cho, The Brightest Star of Qawwali
John Cho, Senegal: Baobabs, Boubous, and Mbalax
John Cho, The Two-Way Afro-Caribbean Music Connection
Phua Siew Chye/ Lily Kong, Ideology, Social Commentary and Resistance in Popular Music. A case study of Singapore
Sheri Kathleen Cole, I am the eye, you are my victim: The Pornographic Ideology of Music Video
B. Lee Cooper, Promoting Social Change Through Audio Repetition
Steve Cooper, No Single, No Sale
Chris Cutler, Necessity and Choice in Musical Forms: Concerning Musical and Technical Means and Political Needs
Stan W. Denski, Asking Questions: Toward the Identification of Key Theoretical Issues
Monique Desroches, Musical Tradition in Martinique: Between the Local and the Global
Lynda Dee Dixon Bowling/Patricia A. Washington, Rap Music Videos: The Voices of Organic Intellectuals
Robert J. Dow, Sound diffusion and the Sonic Image
Tracy D. Drake, The Historical Political Development of Soviet Rock Music
Brian Duguid, Muzak
Brian Duguid, Prehistory of Industrial Music
Kevin Edge, Music in the Museum. Some Problems in Collecting & Interpreting the Technologies of Pop
Stephan Eissler, Eine Kritik der Institution des so genannten "geistigen Eigentums" im digitalen Zeitalter...
Clifford Endres, What Hath Rock Wrought?: Blues, Country Music, Rock'n'Roll and Istanbul
Torsten Eßer, Musikmärkte und -industrie in Lateinamerika
Christopher John Farley, Hip-Hop Nation
Frank Ferriano, Did He Write That?: America's Great Unknown Songwriter Harold Arlen
Uncle Fester, 'A History of Punk'
Kai Fikentscher, Some Observations on the Nature of Mixes on 12-inch Dance Singles
Paul Friedlander, The Rock Window: A Systematic Approach ...
Ted Friedman, Making It Funky...
Ted Friedman, Milli Vanilli and the Scapegoating of the Inauthentic
Manfred Friscic, Digitalisierung der Musikwirtschaft - Kaufverhalten und Online-Promotion von digitalen Musikdateien
Simon Frith, Popular Music Policy and the Articulation of Regional Identities
Patrick Froelicher, "Somos Cubanos!" - timba cubana and the construction of national identity in Cuban popular music
Cristobal L. Garcia Gallardo, Schenkerian analysis of Popular Music
Luis-Manuel Garcia, On and On: Repetition as Process and Pleasure in Electronic Dance Music
Joe Germuska, Jazz Styles
Matthias Glodek, Zur Geschichte elektronischer Instrumente in populärer Musik
David Grad, Interview with Jello Biafra
William Graebner, The Erotic and Destructive in 1980s Rock Music
Emily Gray, The Father and The Son: The Rhetoric of Rebellion in Marvin Gaye's What's Going On
Mark Gridley, Clarifying Labels: Cool Jazz, West Coast and Hard Bop
Jocelyne Guilbault, Beyond the Label »World Music«...
Jocelyne Guilbault, The Politics of Labelling Popular Musics in English Caribbean
Dave Harker, The Music Industry, the Crisis and the State
Dave Harker, In Perspective: Theodor Adorno
Stan Hawkins, Stories of Deception in Madonna's Music
Philip Hayward, Music, Industry and the Internet
Cara Heaven/ Matthew Tubridy, Global Youth Culture and Youth Identity
Christoph Hein, Der Turntable als Musikinstrument
Antoine Hennion, Music Industry and Music Lovers — Beyond Benjamin
Don Herbison-Evans, History of Latin-American Dancing
Don Herbison-Evans, History of Modern Ballroom Dancing
Markus Heuger, Don't call my music POPULARMUSIC - Anmerkungen zu einem akademischen Phantom
[pdf]
Michael Heumann, Sexual Chaos and Industrial Terror — Music of Trent Reznor
Alfred Hilsberg, Neue Deutsche Welle - Aus grauer Städte Mauern
David Hirst, An analytical methodology for acousmatic music
Kevin Holm-Hudson, Your Guitar, It Sounds So Sweet and Clear: Semiosis in Two Versions of "Superstar"
Shuhei Hosokawa, Globalization and Japanization of Afro-Caribbean Music
Judy Isaksen, Identity and Agency: Riot Grrrls' Jouissance
Christoph Jacke, Die millionenschweren Verweigerer. Anti-Starkult in der Darstellung ausgesuchter Printmedien...
Samuel Jeffries, Theodor Adorno Meets "Lo-Fi" Rock
Joli Jensen, Genre and Recalcitrance: Country Music's Move Uptown
Axel Jockwer, Unterhaltungsmusik im Dritten Reich
Steve Jones, The Cassette Underground
Douglas Kahn, Sound Art, Art, Music
Richard Kahn/Douglas Kellner, Global Youth Culture
Charlie Keil, Paideia Con Salsa
Charlie Keil, Muse Incorporating and Applied Sociomusicology
Douglas Kellner, The Frankfurt School and British Cultural Studies: The Missed Articulation
[pdf]
M. Kretschmer/ G. Michael/ K. & R. Wallis, The Changing Location of Intellectual Property Rights in Music:
A Study of Music Publishers, Collecting Societies and Media Conglomerates
Stefan Krüger, Die Musikkultur Flamenco
Holly Kruse, Kate Bush: Engimatic Chanteuse as Pop Pioneer
Tony Lack, Consumer Society and Authenticity: The (Il)logic of Punk Practices
Dave Laing, The Economic Importance of Music in the EU
Morgan Lang, Futuresound: Techno Music and Mediation
Edward Larkey (Ed.), A Sound Legacy? Music and Politics in East Germany
Gregory B. Lee, Chineseness and MTV: Construction of the 'Ethnic' Imaginary
George H. Lewis, The Politics of Meaning
Andrew Leyshon, Sites of sound: recording studios and the musical economy
Scott David Lipscomb/ David E. Tolchinsky, The role of music communication in cinema
Meic Llewellyn, Beyond The Transatlantic Model: A Look at Popular Music as if Small Societies Mattered
Maria Elisabeth Lucas, Música Brasileira na Mídia Americana
Robin Markowitz, Reconstructing Michael Jackson
S. McClary/ R. Walser, Theorizing the Body in African-American Music
Scott McFarland, Miles Davis: The »Electric« Years
Gary Warren Melton, An Examination of the Bootleg Record Industry
Robert Miklitsch, Rock 'N' Theory: Autobiography, Cultural Studies, and the "Death of Rock"
Richard Middleton, Notes Towards a Politics of Repetition
Andrew Missingham, "Big Things Ah Gwan": Junglist Music Takes Centre Stage
An Introduction to Jungle Music And An Enquiry Into 1st Impact On The London Jazz Scene
Klaus D. Mueller, The Real Krautrock Story
Thomas Münch, Surfing Music: Jugendkultur und Musik im Internet
Allan F. Moore, Analyzing Popular Music
Allan F. Moore, Looking for the Kingdom Come. Questioning Spirituality in U2
Allan F. Moore, The Persona-Environment Relation in Recorded Song
Jeremy Wade Morris, Developments in Music Technology: Hybrid Activity in Popular Music
Klaus Neumann-Braun/ Lothar Mikos, Bedeutung und Funktion von Gewaltdarstellungen [in Musikvideos]
Annalee Newitz, Madonna's Revenge
Colin Newman, The Middle Ground of the Techno Revolution
Jorge I. Oclander, History of The Tango: A Dance, A culture, A way of Life
Kathleen O'Toole, Rock & Roll: Does it influence teens' behavior?
David Pattie, 4 Real: Authenticity, Performance, and Rock Music
Vincenzo Perna, Latin lovers — Salsa musicians and their audience in London
Richard A. Peterson, Ten Things You Didn't Know about the Origins of Country Music
Simon Philo, Getting Dumber and Dumber: MTV's Global Footprint
Alicia Porter, What is Gothic
[pdf]
Dominic Power (Ed.), Behind the Music - Profiting from Sound:
A System Approach to the Dynamics of the Nordic Music Industry
Dominic Power/ Daniel Hallencreutz, Competitiveness, Local Production Systems ... in the Music Industry:
Entering the US Market
Motti Regev, Popular Music Studies: The Issue of Value
Henry A. Rhodes, The Evolution of Rap Music in the United States
Dave Rieder, Pan(a)Sonic: Savage Drones and the New Age of Analog
Doris Leibetseder, Subversive Strategien queerer Geschlechter am Beispiel der Rock- und Popmusik
Christopher Robe, Pop Avant-Garde: A Critical Inquiry into the Various Performances of Sonic Youth
Keith Roe, Music and Identity among European Youth
Helmut Rösing, Populäre Musik und kulturelle Identität - Acht Thesen
Janko Röttgers, Mix, Burn & R.I.P. Das Ende der Musikindustrie
Jany Rouger/ Jean François Dutertre, The Traditional Musics in Europe
Paul Rutten, Global Sounds and Local Brews
Karyn Charles Rybacki/Donald Jay Rybacki, Cultural approaches to the rhetorical analysis of selected music videos
Saki, BRITPOP - Short History of British Pop Music I
Saki, BRITPOP - Short History of British Pop Music II
Jon Savage, MACHINE SOUL – A History Of Techno
Marta E. Savigliano, Nocturnal Ethnographies: Following Cortázar in the Milongas of Buenos Aires
Joel Schalit, The Political Economy of American Punk
Albert Scharenberg, Der diskursive Aufstand der schwarzen "Unterklassen" - Hip Hop als Protest gegen ...
Joseph Schneider, Listening/Reading: Toward A Stereophonic Hermeneutics
Steve Schoenherr, Recording Technology History
Holger Schramm/ Thomas Hägler, Musikhören im MP3-Zeitalter
Jeff Schwartz, It`s only Rock 'n' Roll?
Derek B. Scott, Orientalism and Musical Style
B. R. Sharma, Poetic Devices in the Songs of Robert Johnson
Giancarlo Siciliano, Andrewa Goodwin: Dancing in the distraction factory. Music television and popular culture
Giancarlo Siciliano, Musique et postmodernité: Pratiques/Théorizations/Interférences
Christopher Small, Whose Music Do We Teach, Anyway?
Christopher Small, Musicking: A Ritual in Social Space
Regina Sperlich, Die digitale Mediamorphose des Musikschaffens
Regina Sperlich, Musikschaffen von Rock - und Elektronischer Musik in der ‚Digitalen Mediamorphose'
Michael Staiger, Körper-Bilder im Film der 90er Jahre
Sally Stockbridge, Music video: questions of performance, pleasure and address
Philip Tagg, Musicology and the Semiotics of Popular Music
[pdf]
Philip Tagg, Analysing Popular Music: Theory, Method and Practice
[pdf]
Philip Tagg, From Refrain to Rave: The Decline of Figure and the Rise of Ground
[pdf]
Philip Tagg, »Universal« Music and the Case of Death
[pdf]
Philip Tagg, Music Teacher Training Problems and Popular Music Research
[pdf]
Philip Tagg, Subjectivity and Soundscape, Motorbikes and Music
[pdf]
Philip Tagg, Music 2017 — A British Dystopia
[pdf]
Philip Tagg, Popular Music Studies versus the 'Other'
[pdf]
Philip Tagg, The Göteborg Connection
[pdf]
Jürgen Terhag, Populäre Musik und Jugendkultur
Ryan Theis, Popular Music and the Corporate Machine
Bob Thomas, A Brief History of Lindy Hop
David Throsby, Assessing the Impacts of the Cultural Industry
Ger Tillekens, The official Beatles' canon
A list of all 212 Beatles' songs and covers officially released on record between 1962-1970
Mark Tittley, A New Approach to Youth Subculture
Gary Tomlinson, Finding Ground to Stand On
Daniel Trenner, Tango, The Argentine Social Dance
T. P. Uschanov, "Not a Second Time" - A Study in Rock Semiotics
Paul Vernon, Tango and the Birth of Its Record Industry
Greg Wahl, Punk and the Imagery of Nostalgia
Jeff White, Prince and in The Black Album Tangle: A Foucauldian View
Peter Wicke, Popular Music and Processes of Social Transformation
Peter Wicke, Populäre Musik in der Bundesrepublik Deutschland
Peter Wicke, »Let the sun shine in your heart«. Von der diskursiven Konstruktion des Musikalischen
Peter Wicke, »Heroes and Villains«. Anmerkungen zum Verhältnis von Popmusik und Musikgeschichtsschreibung
Peter Wicke, Die Charts im Musikgeschäft
Peter Wicke, Rock Around Socialism
Peter Wicke, »Move Your Body« — Über Sinn, Klang und Körper
Peter Wicke, Vom Song zur Soundfile – Das Internet als musikalische Interaktionsplattform
Peter Wicke, Über die diskursive Formation musikalischer Praxis – Diskurs-Strategien...
[pdf]
Paul Willis, Symbolism and Practice: A Theory for the Social Meaning of Pop Music
Paul Woog, Die Popmusikregion - Grundlagen und Bestandsaufnahme der Popularmusikszene in Stuttgart
Nico Wunderlich, Perspektiven digitaler Produkte im Musikmarkt
Mark Zeltner, Fiona Apple's 'Criminal' and Video Voyeurism for the '90s
Oliver Zimmermann, Ideologie einer Jugendkultur am Beispiel der Gothic- und Darkwave Szene
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