{"id":16362,"date":"2020-07-26T17:01:00","date_gmt":"2020-07-26T15:01:00","guid":{"rendered":"https:\/\/www2.hu-berlin.de\/simoneweil-denkkollektiv\/?p=16362"},"modified":"2021-02-04T11:22:32","modified_gmt":"2021-02-04T10:22:32","slug":"spellbound-berlin","status":"publish","type":"post","link":"https:\/\/www2.hu-berlin.de\/simoneweil-denkkollektiv\/spellbound-berlin\/","title":{"rendered":"Spellbound (Berlin)"},"content":{"rendered":"\t\t
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\n\t\t\t\tPar exemple je me suis toujours interdit de penser \u00e0 une vie future, mais j'ai toujours cru que l'instant de la mort est la norme et le but de la vie. Je pensais que pour ceux qui vivent comme il convient, c'est l'instant o\u00f9 pour une fraction infinit\u00e9simale du temps la v\u00e9rit\u00e9 pure, nue, certaine, \u00e9ternelle entre dans l'\u00e2me. Je peux dire que jamais je n'ai d\u00e9sir\u00e9 pour moi un autre bien.\n\n\t\t\t<\/p>\n\t\t\t\t\t\t\t

\n\t\t\t\t\t\t\t\t\t\t\tSimone Weil, Attente de Dieu, 1942.<\/cite>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/blockquote>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"Spellbound\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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SPELLBOUND<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Abstract<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Spellbound<\/a>, that is\u00a0Nadine Hartmann<\/a>\u00a0| Clio Nicastro<\/a> | Hannah Proctor<\/a>.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Each contribution takes a cue from Chris Kraus\u2019s book Aliens <\/i>and Anorexia<\/i> (2000). Kraus\u2019s text deals with the making of her film, Gravity and Grace<\/i>, and the inspiration she found in Simone Weil\u2019s life and writings.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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le man\u00e8ge des textes <\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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New contributions:<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\n\t\t\t\n\t\t\t\tRachel Pafe (Berlin): The Miracle of Love Amidst the Crushes of War: Thinking through The Iliad with Susan Taubes and Simone Weil\t\t\t<\/a>\n\t\t<\/h3>\n\t\t\t\t
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Rachel Pafe is a writer and researcher interested in modern Jewish thought and critical theories of mourning. She is currently doing a joint PhD at Goethe University of Frankfurt and Universit\u00e9 Lille. \u00a0 For more information visit\u00a0Rachel’s Page. To read the German-version of the article, please click\u00a0here.\u00a0 In her 1956 dissertation on French philosopher-mystic Simone<\/p>\n\t\t<\/div>\n\t\t\n\t\t\n\t\t\tMehr ...\t\t<\/a>\n\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t\t\n\t\t\t1 May 2024\t\t<\/span>\n\t\t\t\t\n\t\t\tNo Comments\t\t<\/span>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/article>\n\t\t\t\t
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\n\t\t\t\n\t\t\t\tMarcus Steinweg (Berlin): “Notizen zu Simone Weil”\t\t\t<\/a>\n\t\t<\/h3>\n\t\t\t\t
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Leseschl\u00fcssel Die hier gelisteten \u2013 teils ver\u00f6ffentlichten, teils unver\u00f6ffentlichten \u2013 Notizen von Marcus Steinweg beziehen sich allesamt auf Simone Weil. Die Liste ist offen und wird schrittweise durch neue Notizen erweitert. RIGORISMUS An Simone Weil besticht ihr Rigorismus und ihre Klarheit. Noch wenn sie sich dem Allt\u00e4glichen zuwendet, geht der Vektor ins Nichts. Nie versenkt<\/p>\n\t\t<\/div>\n\t\t\n\t\t\n\t\t\tMehr ...\t\t<\/a>\n\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t\t\n\t\t\t28 June 2023\t\t<\/span>\n\t\t\t\t\n\t\t\tNo Comments\t\t<\/span>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/article>\n\t\t\t\t
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\n\t\t\t\n\t\t\t\tElisabeth Hubmann (Gen\u00e8ve): Organ improvisations in response to Simone Weil\u2019s \u201cLes Lutins du feu\u201d (ca. 1921\/22)\t\t\t<\/a>\n\t\t<\/h3>\n\t\t\t\t
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Il dansait, il dansait toujours, le peuple des \u00e2mes candides, des \u00e2mes des enfants qui ne sont pas encore n\u00e9s; attendant leur tour d\u2019\u00eatre des hommes, les lutins se poursuivaient sur les b\u00fbches cr\u00e9pitantes. Simone Weil, Les Lutins du feu, 1921\/22. ELISABETH HUBMANN Abstract Elisabeth is an organist, musicologist, and environmentalist active in Gen\u00e8ve, Amsterdam<\/p>\n\t\t<\/div>\n\t\t\n\t\t\n\t\t\tMehr ...\t\t<\/a>\n\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t\t\n\t\t\t24 August 2022\t\t<\/span>\n\t\t\t\t\n\t\t\tNo Comments\t\t<\/span>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/article>\n\t\t\t\t<\/div>\n\t\t\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

Par exemple je me suis toujours interdit de penser \u00e0 une vie future, mais j’ai toujours cru que l’instant de la mort est la norme et le but de la vie. Je pensais que pour ceux qui vivent comme il convient, c’est l’instant o\u00f9 pour une fraction infinit\u00e9simale du temps la v\u00e9rit\u00e9 pure, nue, certaine, … Mehr …<\/a><\/p>\n","protected":false},"author":7,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"aside","meta":{"footnotes":""},"categories":[15],"tags":[47,53,49,46,48,54,50],"class_list":["post-16362","post","type-post","status-publish","format-aside","hentry","category-texte","tag-body","tag-immunity","tag-limitation","tag-suffering","tag-thingification","tag-threat","tag-writing","post_format-post-format-aside","infinite-scroll-item","no-featured-image-padding"],"_links":{"self":[{"href":"https:\/\/www2.hu-berlin.de\/simoneweil-denkkollektiv\/wp-json\/wp\/v2\/posts\/16362","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www2.hu-berlin.de\/simoneweil-denkkollektiv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www2.hu-berlin.de\/simoneweil-denkkollektiv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www2.hu-berlin.de\/simoneweil-denkkollektiv\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/www2.hu-berlin.de\/simoneweil-denkkollektiv\/wp-json\/wp\/v2\/comments?post=16362"}],"version-history":[{"count":41,"href":"https:\/\/www2.hu-berlin.de\/simoneweil-denkkollektiv\/wp-json\/wp\/v2\/posts\/16362\/revisions"}],"predecessor-version":[{"id":18251,"href":"https:\/\/www2.hu-berlin.de\/simoneweil-denkkollektiv\/wp-json\/wp\/v2\/posts\/16362\/revisions\/18251"}],"wp:attachment":[{"href":"https:\/\/www2.hu-berlin.de\/simoneweil-denkkollektiv\/wp-json\/wp\/v2\/media?parent=16362"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www2.hu-berlin.de\/simoneweil-denkkollektiv\/wp-json\/wp\/v2\/categories?post=16362"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www2.hu-berlin.de\/simoneweil-denkkollektiv\/wp-json\/wp\/v2\/tags?post=16362"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}