{"id":16368,"date":"2017-07-17T17:10:00","date_gmt":"2017-07-17T15:10:00","guid":{"rendered":"https:\/\/www2.hu-berlin.de\/simoneweil-denkkollektiv\/?p=16368"},"modified":"2021-02-04T11:14:22","modified_gmt":"2021-02-04T10:14:22","slug":"johanna-nuber-halle-on-writing-from-out-of-death-reading-alejandra-pizarniks-poetics-of-the-corpse-through-the-lens-of-grace-decreation","status":"publish","type":"post","link":"https:\/\/www2.hu-berlin.de\/simoneweil-denkkollektiv\/johanna-nuber-halle-on-writing-from-out-of-death-reading-alejandra-pizarniks-poetics-of-the-corpse-through-the-lens-of-grace-decreation\/","title":{"rendered":"Johanna Nuber (Halle) on “Writing from out of death \u2013 Reading Alejandra Pizarnik\u2019s poetics of the corpse through the lens of grace & decreation”"},"content":{"rendered":"\t\t
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\n\t\t\t\tIl ne faut pas \u00eatre moi, mais il faut encore moins \u00eatre nous. \n[\u2026] Prendre le sentiment d'\u00eatre chez soi dans l'exil. \nEtre enracin\u00e9 dans l'absence de lieu.\n[\u2026] S'exiler de toute patrie terrestre. \nFaire tout cela \u00e0 autrui, du dehors, est de l'ersatz de d\u00e9cr\u00e9ation. C'est produire de l'irr\u00e9el. \nMais en se d\u00e9racinant on cherche plus de r\u00e9el. \n\t\t\t<\/p>\n\t\t\t\t\t\t\t

\n\t\t\t\t\t\t\t\t\t\t\t Simone Weil, \"La pesanteur et la gr\u00e2ce\", 1943<\/cite>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/blockquote>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Johanna Nuber<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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Abstract<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\tJohanna<\/a> <\/strong>is assistant professor of Romance Studies at\nMartin-Luther-Universit\u00e4t Halle-Wittenberg.\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\tDeath is everywhere in the oeuvre of Argentinian poet Alejandra Pizarnik – as theme or topic, as a protective force from the threatening silence of self-inflicted oppression, as a means of acknowledging the precarious nature of the poet’s effort, and, eventually, as the flickering presence of suicidal thoughts. Simone Weil’s thoughts about decreation and her non-linear understanding of death help us gain traction of the specific relations between text and death, the body and the world, and the ineffable and that which resists in Pizarnik’s poetry instead of reading her suicide (s) literally as the ultimate signified of a coherent and death-prone poetic project.\u00a0Rather as instance of writing towards death as inescapable destiny, Pizarnik\u2019s words gracefully radiate out of death as poetic (de)creations beyond the constraints of meaning and social determination.\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Material<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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