{"id":18330,"date":"2021-04-23T15:30:00","date_gmt":"2021-04-23T13:30:00","guid":{"rendered":"https:\/\/www2.hu-berlin.de\/simoneweil-denkkollektiv\/?p=18330"},"modified":"2023-02-24T15:07:28","modified_gmt":"2023-02-24T14:07:28","slug":"chris-kraus-simone-weil-two-days-in-february","status":"publish","type":"post","link":"https:\/\/www2.hu-berlin.de\/simoneweil-denkkollektiv\/chris-kraus-simone-weil-two-days-in-february\/","title":{"rendered":"Chris Kraus (Los Angeles): Simone Weil. Two Days in February"},"content":{"rendered":"\t\t
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THE PAPIER coll\u00e9















AS PART OF THE \u00bbPAPIER coll\u00e9 SIMONE WEIL\u00ab WE INVITED WRITERS AND ARTISTS TO SHARE THEIR IDEAS ON SIMONE WEIL. SOME BITS AND PIECES, SOME MATERIAL, THOUGHTS... TRACES AND LINES THAT REVOLVE AROUND THEIR READING OR RESEARCH. LIKE A SUNDAY STROLL THROUGH AN IMMATERIAL-IMAGINATIVE LIBRARY. LIKE A BORGES READING MACHINE THAT UNENDINGLY COMES TO LIFE: FLOATING, RATTLING, NEVER ARRIVING AT A FINAL POINT WHERE ALL IS FIXATED, SAID AND READ.\n<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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February 4, 2021 [San Mateo Inn, Albuquerque NM]<\/p>

\u00a0<\/p>

Simone Weil was born more than a century ago, on February 3, 1909.\u00a0 Today I\u2019m in Albuquerque \u2026 I left LA two days ago, Tuesday, stayed over that night in Kingman AZ, and last night, February 3, after checking in to the motel, had the idea of beginning these notes, not realizing it was her birthday.<\/p>

\u00a0<\/p>

The idea of revisiting Weil\u2019s work for a long time seemed daunting.\u00a0 I didn\u2019t have the books anymore and the libraries are closed.\u00a0\u00a0 A lot of the English translations have gone out of print, making them harder\/more expensive to find, but finally I just broke down and bought them.<\/p>

\u00a0<\/p>

I\u2019m on my way to northern Minnesota to pack up the house my partner Philip and I just sold.\u00a0 It was an investment [in happiness] that didn\u2019t work out: a cheap simulation of the house where I\u2019d lived in Thurman, NY during most of my 30s.\u00a0 For another five years after moving out to LA I\u2019d return every summer, and winter holidays too \u2026 a return to what felt the most real and true: deciduous trees, distinct seasons, my life with Sylvere, yellow school busses threading their way along windy back country roads.\u00a0 Five hours north of New York, two hours from Albany, Thurman was steeped in its own history to the point of absolute entropy.<\/p>

\u00a0<\/p>

A woman I liked very much, Christine MacDonald, the Glens Falls head librarian, had moved here from the East Village too, believing it was her chance to witness the last days of an intact, dying culture.\u00a0 The Need For Roots.<\/em>\u00a0 Christine wasn\u2019t wrong.\u00a0 By the time we give up the house, the Snowmobile Club cut a new trail through the woods alongside our yard, the Stony Creek Inn had burned down and cable TV and internet access were about to change everything.<\/p>

\u00a0<\/p>

I read SW there in French for the first time with the help of a Quebecois neighbor, a woman I knew only as Mrs. Jordan.\u00a0 Her husband was dead.\u00a0 They\u2019d once run a dude ranch.\u00a0 The sign still remained, nailed onto a tree in front of mustard and brown farmhouse that hadn\u2019t been painted in years, \u201cJordan Acres.\u201d\u00a0 I paid Mrs. Jordan to read French with me once a week, sitting at her kitchen table.\u00a0 She had bird feeders set up under her windowsills: Gravity and Grace, snowy field and red cardinals.<\/p>

\u00a0<\/p>

Does it matter where you first read a text?\u00a0 Are books like certain songs, tied to places and times in your life forever?\u00a0Most of SW\u2019s reading occurred during her childhood and during her early youth at the Ecole Normale.\u00a0 After that, she was too busy, too mobile, to read much beyond pamphlets and newspapers.\u00a0 Her theoretical work, her ideas of\u00a0 \u201cthe Good\u201d and of\u00a0 \u201cBeauty\u201d drew from her studies in Classics: Pythagoras, Socrates, Plato.\u00a0 She read Trotsky and Marx in her early teens and she instantly got it.\u00a0 How could anyone not, who had their eyes open?\u00a0 She got the idea of cause and effect, she understood right away how wealth is created by poverty.\u00a0 But mostly Marxism gave her a language to further express what she\u2019d known since she was five: that she\u2019d been born into privilege.<\/p>

\u00a0<\/p>

Later on, after the end of her teaching career (the hiatus she\u2019d taken to work in a factory and volunteer for the Spanish Popular Front became would become forced by anti-Jewish legislation in 1940) she turned to the Bible, the Bhagavad Gita, and other ancient religious texts.\u00a0 Famously, at the dawn of her \u2018religious conversion\u2019 (if it was ever that), she copied out \u201cLove,\u201d by the metaphysical poet George Herbert.\u00a0 Toward the end of her life, crossing (she hoped) from the safe asylum her fortunate family enjoyed in New York thanks to her brother\u2019s position at Princeton, back to Occupied France via London, she gathered her ten fellow passengers up on the deck every night and goaded them to tell folk tales.<\/p>

\u00a0<\/p>

There are so many things I can\u2019t say.<\/p>

\u00a0<\/p>

Once, I thought I could say everything.<\/p>

\u00a0<\/p>

SW traveled to Germany in the summer of 1932.\u00a0 This was after the Reichstag Fire, but before Hitler\u2019s appointment as Chancellor of Germany.\u00a0 She was 23, more Trotskyite than Trotsky himself (i.e., she was critical of his continued allegiance to the Russian Communist Party.)\u00a0 She wanted to see for herself the political and existential \u201cconditions\u201d among workers \u2013 could it be true that the German comrades were wholly seduced by fascism?\u00a0 She wrote one report on this experience, published in France in Le Ligne Proletarienne \u2026 which strikes me as a very Simonian title \u2026 in 20th<\/sup>century leftist discourse, a person\u2019s line<\/em> connoted their ideological affiliation \u2026 the Soviet line, the Trotskyite line \u2026 because the only \u2018line\u2019 SW ever fully embraced was the cause of the dispossessed and the workers.<\/p>

\u00a0<\/p>

Re-reading Simone Petrement\u2019s beautiful biography of her friend and colleague (Simone Weil, Pantheon 1976) I\u2019m struck by how much SW\u2019s parents remained in the picture, hovering nearby to rescue her from her bold and often reckless adventures.\u00a0 No doubt SW would be criticized harshly for the fact of her privilege, were she writing today.\u00a0 And yet, unlike today\u2019s virtue-signalers, engaged in public self-interrogation about the choice of paint brands for their walls and schools for their children, Weil wished to escape it entirely.<\/p>

\u00a0<\/p>

In her letters home from that summer in Germany, SW overestimated the strength and endurance of the German Worker\u2019s Communist Party, but she didn\u2019t underestimate the fantastic appeal of racism:<\/p>

\u00a0<\/p>

\u201cThe Nazi ideology is astonishingly contagious, notably in the Communist Party.\u00a0 Most recently the Nazis thundered against the fact that a \u2018judisch-marxistisches Weib (Clara Zetkin) inaugurated the opening session of the Reichstag\u00a0 To which the newspaper of the party replies: \u201cFirst of all, Clara Zetkin is not a Jew.\u00a0 And even if she were, that would not mean anything.\u00a0 Rosa Luxemburg, although she was a Jew<\/em>, was a fine person.\u201d<\/p>

\u00a0<\/p>

There\u2019s a photo of SW\u2019s father, Claude Weill, in the biography.\u00a0 Dr. Weill looks, in the photo, astonishingly like Sylvere did at the time \u2013 the same age, the same eyes, the same curly sideburns.\u00a0 Sylvere protected me too.\u00a0 \u201cMy little Simone Weil,\u201d he\u2019d tease me, after these afternoon sessions with Mrs. Jordan.\u00a0 Just as I started these notes on her birthday, his resemblance to Dr Weill seemed coincidental in a meaningful way.<\/p>

\u00a0<\/p>

But it\u2019s 7:30 a.m. now and I have to begin the rest of the day.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Friday, Feb 5<\/p>

\u00a0<\/p>

I dream about Sylvere this morning \u2026 disagreement, betrayal, over something we\u2019re supposedly co-writing.\u00a0 Transcribing this now, it\u2019s hard to feel my way back to how something like credit for some piece of writing could seem so important.<\/p>

\u00a0<\/p>

SW\u2019s Year of Factory work wasn\u2019t really a year.\u00a0 It was more like a few weeks here and there, interrupted by illness, exhaustion and travel.\u00a0 Still, the experience had the reverse effect of what she\u2019d expected.\u00a0 (Although of course, then again, maybe not).\u00a0 Instead of further fueling her rage at the conditions of the working class, the experience humbled her.\u00a0 She became, as she describes it, \u201ca slave\u201d — she uses the term not referring to the racial violence of American slavery, but to the enslavement of conquered peoples in classical Greece \u2013 what she\u2019d read in Herodotus and The Iliad \u2013<\/p>

\u00a0<\/p>

But still: something about this is chilling.\u00a0 She\u2019s writing these notes between 1934-1935.\u00a0 Dachau had already been opened one year before for the extra-legal internment of political prisoners, although few people knew it. \u00a0\u201cAsocials\u201d were added to the camp\u2019s population next, in 1936, and the extermination of \u201clife unworthy of life\u201d (Jews, Gypsys, homosexuals) would begin in camps built after the invasion of Poland (1939), two years before the formal adoption of the \u201cfinal solution.\u201d\u00a0<\/p>

\u00a0<\/p>

For years, Sylvere studied and taught French mid-century writers like Artaud, Celine, Bataille and eventually SW, seeing their writings and personal madnesses as prescience, subconscious manifestations of the madness of the Jewish holocaust.\u00a0 To him, they were \u2018canaries in the coal mine,\u2019 perceiving the coming orgy of hatred and violence in their whole beings.\u00a0<\/p>

\u00a0<\/p>

Much as she tried to replicate the \u201cauthentic\u201d experience of wage slavery, SW was, as usual, somewhat protected by her parents who were never that far away.\u00a0 Family friends consented to place her in a \u201cnice\u201d factory owned by a humanist friend for her first assignment.\u00a0 SW starved herself misguidedly, insisting that enjoy only the accommodation and food that could be purchased with her factory wages.\u00a0 She rented a bed-sitting room in a decent working class neighborhood, oblivious to the fact that privacy, not food, is usually the first thing poor people sacrifice.\u00a0 (She made the same mistake nine years later, starving herself by insisting she consume no more than the equivalent to French war-time rations \u2013 when in fact, as Sylvere pointed out, the whole country was living on the black market.)\u00a0<\/p>

\u00a0<\/p>

So SW\u2019s reasoning was flawed, does it matter?\u00a0 The experience led her to what she\u2019d (always, I think) secretly longed for, something she couldn\u2019t admit or put into words before that \u2013 the recognition of herself as a \u201cslave\u201d, which allowed her to reach for Catholicism, or in other words, to reach for the succor that for one thousand years simultaneously perpetuated the slavery of the oppressed and offered them comfort.\u00a0 Catholicism, the Religion of Slaves: with its sweetness and stories, its declarations of faith and its adoration of relics and icons.\u00a0 It was a sweetness that others might find in romance or in sex that she never allowed herself.\u00a0 (For a couple of years, through their mutual friend Georges Bataille, SW became a fairly close friend of Laure\u2019s).<\/p>

\u00a0<\/p>

Does it matter how crazy the logic that brings you closer to seeing a truth?<\/p>

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Stumble & fall.<\/p>

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Today I\u2019ll be driving to Kansas.\u00a0<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Chris Kraus<\/a> is a filmmaker and the author of I Love Dick<\/em> and Aliens & Anorexia. <\/em>She is also the\u00a0coeditor of Hatred of Capitalism: A Semiotext(e) Reader<\/em>. Index called her \u201cone of the most subversive voices in American fiction.\u201d Her work has been praised for its perceptiveness, vulnerability, and dazzling speed.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Bildquelle: https:\/\/brooklynrail.org\/2006\/04\/art\/chris-kraus-in-conversation-with-denise-frimer<\/pre>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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New contributions:<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\n\t\t\t\n\t\t\t\tRachel Pafe (Berlin): The Miracle of Love Amidst the Crushes of War: Thinking through The Iliad with Susan Taubes and Simone Weil\t\t\t<\/a>\n\t\t<\/h3>\n\t\t\t\t
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Rachel Pafe is a writer and researcher interested in modern Jewish thought and critical theories of mourning. She is currently doing a joint PhD at Goethe University of Frankfurt and Universit\u00e9 Lille. \u00a0 For more information visit\u00a0Rachel’s Page. To read the German-version of the article, please click\u00a0here.\u00a0 In her 1956 dissertation on French philosopher-mystic Simone<\/p>\n\t\t<\/div>\n\t\t\n\t\t\n\t\t\tMehr ...\t\t<\/a>\n\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\n\t\t\t\tMarcus Steinweg (Berlin): “Notizen zu Simone Weil”\t\t\t<\/a>\n\t\t<\/h3>\n\t\t\t\t
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Leseschl\u00fcssel Die hier gelisteten \u2013 teils ver\u00f6ffentlichten, teils unver\u00f6ffentlichten \u2013 Notizen von Marcus Steinweg beziehen sich allesamt auf Simone Weil. Die Liste ist offen und wird schrittweise durch neue Notizen erweitert. RIGORISMUS An Simone Weil besticht ihr Rigorismus und ihre Klarheit. Noch wenn sie sich dem Allt\u00e4glichen zuwendet, geht der Vektor ins Nichts. Nie versenkt<\/p>\n\t\t<\/div>\n\t\t\n\t\t\n\t\t\tMehr ...\t\t<\/a>\n\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\n\t\t\t\tElisabeth Hubmann (Gen\u00e8ve): Organ improvisations in response to Simone Weil\u2019s \u201cLes Lutins du feu\u201d (ca. 1921\/22)\t\t\t<\/a>\n\t\t<\/h3>\n\t\t\t\t
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Il dansait, il dansait toujours, le peuple des \u00e2mes candides, des \u00e2mes des enfants qui ne sont pas encore n\u00e9s; attendant leur tour d\u2019\u00eatre des hommes, les lutins se poursuivaient sur les b\u00fbches cr\u00e9pitantes. Simone Weil, Les Lutins du feu, 1921\/22. ELISABETH HUBMANN Abstract Elisabeth is an organist, musicologist, and environmentalist active in Gen\u00e8ve, Amsterdam<\/p>\n\t\t<\/div>\n\t\t\n\t\t\n\t\t\tMehr ...\t\t<\/a>\n\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\n\t\t\t\tWolfram Eilenberger (Berlin) und Mae Bengert (Berlin): Eine Denkerin der radikalen Hoffnung\t\t\t<\/a>\n\t\t<\/h3>\n\t\t\t\t
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Overview Am 31. Januar 2021 diskutierten Martina Bengert und Wolfram Eilenberger in dem von Simone Miller moderierten Podcast “Philosophin Simone Weil. Eine Denkerin der radikalen Hoffnung” der Reihe Sein & Streit des Deutschlandfunk Kultur \u00fcber die Aktualit\u00e4t Weils f\u00fcr unsere heutige Zeit. \u00a0 On the 31 January 2021, Simone Miller welcomed Martina Bengert und Wolfram<\/p>\n\t\t<\/div>\n\t\t\n\t\t\n\t\t\tMehr ...\t\t<\/a>\n\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\n\t\t\t\tChris Kraus (Los Angeles): Simone Weil. Two Days in February\t\t\t<\/a>\n\t\t<\/h3>\n\t\t\t\t
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THE PAPIER coll\u00e9 AS PART OF THE \u00bbPAPIER coll\u00e9 SIMONE WEIL\u00ab WE INVITED WRITERS AND ARTISTS TO SHARE THEIR IDEAS ON SIMONE WEIL. SOME BITS AND PIECES, SOME MATERIAL, THOUGHTS… TRACES AND LINES THAT REVOLVE AROUND THEIR READING OR RESEARCH. LIKE A SUNDAY STROLL THROUGH AN IMMATERIAL-IMAGINATIVE LIBRARY. LIKE A BORGES READING MACHINE THAT UNENDINGLY<\/p>\n\t\t<\/div>\n\t\t\n\t\t\n\t\t\tMehr ...\t\t<\/a>\n\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\n\t\t\t\tMark von Schlegell: Simone Azul\t\t\t<\/a>\n\t\t<\/h3>\n\t\t\t\t
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THE PAPIER coll\u00e9 AS PART OF THE \u00bbPAPIER coll\u00e9 SIMONE WEIL\u00ab WE INVITED WRITERS AND ARTISTS TO SHARE THEIR IDEAS ON SIMONE WEIL. SOME BITS AND PIECES, SOME MATERIAL, THOUGHTS… TRACES AND LINES THAT REVOLVE AROUND THEIR READING OR RESEARCH. LIKE A SUNDAY STROLL THROUGH AN IMMATERIAL-IMAGINATIVE LIBRARY. LIKE A BORGES READING MACHINE THAT UNENDINGLY<\/p>\n\t\t<\/div>\n\t\t\n\t\t\n\t\t\tMehr ...\t\t<\/a>\n\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t\n\t\t\t2 April 2021\t\t<\/span>\n\t\t\t\t\n\t\t\tNo Comments\t\t<\/span>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/article>\n\t\t\t\t<\/div>\n\t\t\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"
THE PAPIER coll\u00e9 AS PART OF THE \u00bbPAPIER coll\u00e9 SIMONE WEIL\u00ab WE INVITED WRITERS AND ARTISTS TO SHARE THEIR IDEAS ON SIMONE WEIL. SOME BITS AND PIECES, SOME MATERIAL, THOUGHTS… TRACES AND LINES THAT REVOLVE AROUND THEIR READING OR RESEARCH. LIKE A SUNDAY STROLL THROUGH AN IMMATERIAL-IMAGINATIVE LIBRARY. LIKE A BORGES READING MACHINE THAT UNENDINGLY … Mehr …<\/a><\/p>\n","protected":false},"author":8,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[15],"tags":[339,331,213,211,212,208,209,214,332,333,334,335,336,337,216,217,218,219,220,221,222,223,226,224,235,237,225,227,228,229,230,231,232,233,234,236,318,323,238,239,340,241,242,257,243,246,253,252,249,256,245,248,247,255,254,244,251,259,261,262,270,263,266,264,267,265,268,269,271,272,273,277,276,274,275,278,279,280,282,284,283,288,285,286,287,289,290,291,292,293,294,295,296,297,298,299,300,301,302,303,304,305,306,307,308,309,310,311,312,313,314,322,316,315,47,319,317,320,321,53,250,330,325,338,49,326,281,327,46,48,54,328,50],"class_list":["post-18330","post","type-post","status-publish","format-standard","hentry","category-texte","tag-339","tag---absolute-absolute","tag--a-b-w-e-s-e-n-h-e-i-t-a-b-s-e-n-c-e","tag--aktion-action","tag--algebra-algebra","tag--analogie-analogy","tag--arbeit-labour","tag--aufmerksamkeit-attention","tag--ausbildung-apprenticeship","tag--bedeutung-meaning","tag--beichte-confession","tag--berufung-vocation","tag--beruhrung-touch","tag--bestrafung-punishment","tag--beten-gebet-prayer","tag--bibel-bible","tag--demut-humility","tag--denken-thought","tag--dienen-servitude","tag--ent-werden-decreation","tag--entwurzelung-uprootedness","tag--ethik-ethics","tag--freiheit-liberty","tag--freundschaft-friendship","tag--g-n-o-s-i-s-g-n-o-s-i-s","tag--g-o-t-t-g-o-d","tag--gedachtnis-memory","tag--geheimnis-mystery","tag--gehorsamkeit-obidience","tag--genie-genius","tag--geometrie-geometry","tag--gerechtigkeit-justice","tag--gesprach-conversation","tag--glauben-belief-faith","tag--gleichgewicht-equilibrium","tag--gnade-grace","tag--gnosis-gnosis","tag--gott-god","tag--gottlich-devine","tag--grose-tier-great-beast","tag--gut-bose-good-and-evil-2","tag--gymnastik-gymnastics","tag--heilig-holyness","tag--i-n-d-i-v-i-d-u-u-m-i-n-d-i-v-i-d-u-a-l","tag--imitation-imitation","tag--impersonell-impersonal","tag--inkarnation-incarnation","tag--institution-institution","tag--interpretation-interpretation","tag--kollektivitat-collectivity","tag--konsens-consent","tag--kontemplation-contemplation","tag--korper-body","tag--kraft-gewalt-zwang-force","tag--kunst-art","tag--leiden-affliction","tag--leiden-suffering","tag--liebe-love","tag--literatur-literature","tag--loslosen-lassen-detachment","tag--m-y-s-t-i-k-m-y-s-t-i-c-i-s-m","tag--macht-power","tag--martyrerin-tum-martyrdom","tag--mathematik-mathematics","tag--methode-method","tag--mitgefuhl-compassion","tag--moral-moral","tag--musik-music","tag--nachstenliebe-compassion-charity","tag--nicht-lesen-non-reading","tag--notwendigkiet-necessity","tag--p-h-i-l-o-s-o-p-h-i-e-p-h-i-l-o-s-o-p-h-y","tag--padagogik-pedagogics","tag--passivitat-passivity","tag--perfektion-vollendung-perfection","tag--physik-physics","tag--poesie-poetry","tag--progress-werden-progress-becoming","tag--r-e-a-l-i-t-a-t-r-e-a-l-i-t-y","tag--reinheit-purity","tag--religion-religion","tag--s-c-h-r-e-i-b-e-n-w-r-i-t-i-n-g","tag--sakrament-sacrament","tag--schmerz-pain","tag--schonheit-beauty","tag--schwerkraft-gravity","tag--seele-soul","tag--selbst-disziplin-self-discipline","tag--sklaverei-slavery","tag--spirituelle-ubung-spiritual-exercise","tag--sprache-language","tag--tanz-dance","tag--tod-death","tag--u-b-e-r-n-a-t-u-r-l-i-c-h-e-s-u-p-e-r-n-a-t-u-r-a-l","tag--ubung-training-dressur-training","tag--un-endlichkeit-eternity","tag--universalitat-universality","tag--unmoglichkeit-impossibility","tag--unterdruckung-oppression","tag--unterwerfen-untergeben-devotion","tag--verantwortung-responsibility","tag--verstand-reason","tag--verwurzelt-rootedness","tag--wahrheit-truth","tag--warten-waiting","tag--wert-value","tag--wille-will","tag--wissen-knowledge","tag--wissenschaft-science","tag--wurzel-root","tag--zeit-time","tag-abwesenheit-absence","tag-aufmerksamkeit-attention","tag-beruhrung-touch","tag-body","tag-demut-humility","tag-ent-werden-decreation","tag-gesprach-conversation","tag-gnade-grace","tag-immunity","tag-kreuz-cross","tag-leere-void","tag-leiden-suffering","tag-lesen-reading","tag-limitation","tag-mystik-mysticism","tag-proportion-proportion","tag-schmerz-pain","tag-suffering","tag-thingification","tag-threat","tag-unterwerfen-untergeben-devotion","tag-writing","infinite-scroll-item","no-featured-image-padding"],"_links":{"self":[{"href":"https:\/\/www2.hu-berlin.de\/simoneweil-denkkollektiv\/wp-json\/wp\/v2\/posts\/18330","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www2.hu-berlin.de\/simoneweil-denkkollektiv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www2.hu-berlin.de\/simoneweil-denkkollektiv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www2.hu-berlin.de\/simoneweil-denkkollektiv\/wp-json\/wp\/v2\/users\/8"}],"replies":[{"embeddable":true,"href":"https:\/\/www2.hu-berlin.de\/simoneweil-denkkollektiv\/wp-json\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