Mader, Gottfried: Ovid the Iconoclast. Argumentation and Design in Ars 3.101-128. Latomus 47 (1988) 365-375.
Giancarlo Mazzoli: Tragedia vs. Elegia: Genesi e rifrazioni d'una 'scena' metapoetica ovidiana (Am. 3, l), in: Ovid. Werk und Wirkung. Festgabe für Michael von Albrecht zum 65. Geburtstag. Frankfurt et al. 1999 (Studien zur klassischen Philologie) 137-152.
Maleuvre, J.-Y.: La mort de Virgile d'après Properce et Ovide. AC 66 (1997) 177-206.
Mantovani, D.: Allusione poetica a una lex regia (Ovidio, Amores I, 7, 5). Athenaeum 90 (2002).
Maruzzino, I. L'impari sfida amorosa (nota a Ov. Ars II 5-6). in: Classicità, medioevo e umanesimo. Studi in onore di Salvatore Monti. A cura di Guiseppe Germano. Premessa di Salvatore D'Elia. Napoli 1996. 125-134.
Martin, René: Ovide et la sexualité: dit et non-dit de l'Ars amatoria. in: Hommages à Jozef Veremans. Éd. par. Freddy Decreus et Carl Deroux. Bruxelles 1986 (Collection Latomus 193) 208-218.
René Martin: Sensualité, sentiment et intelligence dans l'Ars Amatoria, in: Ovid. Werk und Wirkung. Festgabe für Michael von Albrecht zum 65. Geburtstag. Frankfurt et al. 1999 (Studien zur klassischen Philologie) 197-204.
Martina, A.: La Medea di Seneca, Euripide e Ovidio. QCTCl 8 (1990) 135-154.
Martyn, John R.C.: Naso - Desultor Amoris (Amores I-III). ANRW II.31.4 (1981) 2436-2459.
Maurer, Jörg: Untersuchungen zur poetischen Technik und den Vorbildern der Ariadne-Epistel Ovids. Frankfurt et al. 1990 (Studien zur klassischen Philologie 49).
McKeown, J.C.: Ovid, Amores 3,12. PLLS 2 (1979) 163-177.
McKeown, J.C.: The authenticity of Amores 3, 5 in: Vertis in usum. Studies in honor of Edward Courtney. John F. Miller, Cynthia Damon, K. Sara Myers (Edd.). München, Leipzig 2002 (Beiträge zur Altertumskunde 161) 114-128.
Mckie; D.S.: Ovid's Amores. The Prime Sources of the Text. CQ 36 (1986) 219-238.
Merkle, Stefan: Amores 3,2 und Ars Amatoria 1,135-162 - ein Selbstplagiat Ovids?. ZAnt 33 (1983) 135-145.
Merone, E.: Studi sulle Eroidi di Ovidio. Napoli 1964.
Michalopoulos, Andreas: Ovid Heroides 10,1-4: Ariadne's Mitos. Mnemosyne 55 (2002)95-97.
Michalopoulos, Andreas N.: Ars latet arte sua: Rhetoric and Poetry in Phyllis' Letter to Demophoon (Ovid Heroides 2), in: Hellenistic Greek and Augustan Latin Poetry. Flavian and post-Flavian Latin Poetry. Greek and Roman Prose. Ed. by Francis Cairns with the assistance of Sandra Cairns and Frederick Williams, Cambridge 2008, 187-210.
Milanese, G.: Ancora su Ovidio, rem. 756. Maia 38 (1986) 231-232.
Miller, John F.: Apostrophe, Aside and the Didactic Adressee. Poetic Strategies in Ars Amatoria III. MD 31 (1994) 231-242.
Miller, John F.: Ovidian Allusion. MD 30 (1993) 153-164.
Miller, John F.: Lucretian Moments in Ovidian Elegy. CJ 92 (1997) 384-398.
Paul Allen Miller: The Parodic Sublime: Ovid's Reception of Virgil in Heroides 7. in: Glenn W. Most, Sarah Spence (edd.): Re-Presenting Virgil. Special Issue in Honor of Michael C. J. Putnam. Pisa, Roma 2004 (Materiali e discussioni per l'analisi dei testi classici 52). 57-72.
Moles, John: The Dramatic Coherence of Ovid, Amores 1.1 and 1.2. CQ 41 (1991) 551-554.
Morelli, C.: L'elegia di Ovidio in morte di Tibullo (Amores III 9). A&R 13 (1910).
Morgan, Kathleen: Ovid, Amores 2.13.18: A Solution. CW 85 (1991) 95-100.
Morgan, Kathleen: Ovid's Art of Imitation. Propertius in the Amores. Leiden 1977 (Mnemosyne Suppl. 47).
Morrison, J.V.: Literary Reference and Generic Transgression in Ovid, Amores 1,7. Love, Poet, Furor. Latomus 51 (1992) 571-589.
Maria Grazia Masci Sassi: Sentiziosità e "saggezza" delle eroine ovidiane, Res Publica Littearrum 24 (2001) 18-30.
Most, Glenn W.: Three textual Notes on Ovid's Amores. in: Carl Deroux (ed.): Studies in Latin Literature and Roman History I. Bruxelles 1979 (Collection Latomus 164).
Murgatroyd, Paul: The Argumentation in Ovid Amores 1,9. Mnemosyne 52 (1999) 569-572.
Murgatroyd, Paul: Deception and double allusion in Ovid A.A. 1.527-564. Mnemosyne 47 (1994) 87-93.
Murgia, Charles A.: Imitation and Authenticity in Ovid, Metamorphoses 1,477 and Heroides 15. AJPh 106 (1985) 456-474.
Murgia, Charles A.: Influence of Ovid's Remedia amoris on Ars amatoria 3 and Amores 3. CPh 81 (1986) 203-220.
Murgia, Charles A.: The Date of Ovid's Ars amatoria 3. AJPh 107 (1986) 74-94.
Myerowitz, Molly: Ovid's Games of Love. Detroit 1985
Myerowitz, Molly: The Domestication of Desire. Ovid's Parva Tabellae and the Theater of Love. in: Amy Richlin (ed.): Pornography and Representation in Greece and Rome. Oxford 1992. 131-157.
Myers, K.S.: Ovid's tecta ars. Amores 2.6, "Programmatics and the Parrot". EMC 34 (1990) 367-374.