le mouvement d'écrire sous l'attrait du dehors
Maurice Blanchot, 1969
en dehors de cela – mais pas au dehors:
L’avenir
ABSTRACT
Knut Ebeling shares his ideas about writing death. Thinking and writing through texts by Georges Bataille and Maurice Blanchot, tracing or excavating a conception of head-less writing Ebeling seeks to formulate an alternative epistemology by questioning the very foundation of knowledge production within Western philosophy. Instead of writing (as one method of (re-)producing knowledge) about/on he proposes a writing with, through or alongside. Writing then does no longer formulate itself as reflection on or about something but as head-less writing that re- or even un-organizes the very organism that functions as the (uncontested) grounding for ‘our’ relational thinking. A way of perceiving and grasping which is – in the end – bound by the powerful notion of both on and about. Instead Ebeling dearticulates this conception and offers an alternative approach that could be ‘named’ as dé-écriture (un-writing). Or as Ebeling frames it: as the practice of autotheoretical writing.
TeXT
New contributions:
Rachel Pafe (Berlin): The Miracle of Love Amidst the Crushes of War: Thinking through The Iliad with Susan Taubes and Simone Weil
Rachel Pafe is a writer and researcher interested in modern Jewish thought and critical theories of mourning. She is currently doing a joint PhD at Goethe University of Frankfurt and Université Lille. For more information visit Rachel’s Page. To read the German-version of the article, please click here. In her 1956 dissertation on French philosopher-mystic Simone
Marcus Steinweg (Berlin): “Notizen zu Simone Weil”
Leseschlüssel Die hier gelisteten – teils veröffentlichten, teils unveröffentlichten – Notizen von Marcus Steinweg beziehen sich allesamt auf Simone Weil. Die Liste ist offen und wird schrittweise durch neue Notizen erweitert. RIGORISMUS An Simone Weil besticht ihr Rigorismus und ihre Klarheit. Noch wenn sie sich dem Alltäglichen zuwendet, geht der Vektor ins Nichts. Nie versenkt
Elisabeth Hubmann (Genève): Organ improvisations in response to Simone Weil’s “Les Lutins du feu” (ca. 1921/22)
Il dansait, il dansait toujours, le peuple des âmes candides, des âmes des enfants qui ne sont pas encore nés; attendant leur tour d’être des hommes, les lutins se poursuivaient sur les bûches crépitantes. Simone Weil, Les Lutins du feu, 1921/22. ELISABETH HUBMANN Abstract Elisabeth is an organist, musicologist, and environmentalist active in Genève, Amsterdam