Gwendolen holds a MPhil in Philosophy of Religion from the University of Cambridge and is currently a prospective PhD candidate in French Studies as well as in Theology & Religious Studies at the University of Glasgow.
In her Notebooks, Weil develops a metaphysical understanding in which embodied experience merges the individual with the ‘primordial’ void (le vide) she calls ‘God’ (Weil, Notes, 2004). The contours of this void are found through physical engagement with reality where the material world manifests the absence of God as a hyper-presence. In this respect, the present close reading considers Weil’s idea of the transference of attention and the ‘alliance between matter and real feelings’, inquiring into her claim that ‘[t]he joy and spiritual significance of the feast is situated within the special delicacy associated with the feast’ (Weil, First & Last Notebooks, 1970).
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OVERVIEW Since 2019 at the Engadin Art Talks, Thomas Hirschon has intensively engaged with Simone Weil. The denʞkollektiv thanks Thomas to present seven art works: (1) Me, She, (2) Simone Weil Map, (3) Médaillon, (4) Cover for ‘Die Weltwoche’, (5) My Dreams, (6) SW Annabelle, and (7) Eternal Ruins. For more information visit: www.thomashirschhorn.com (1) ME,
Isabella is a lecturer in Religious Studies at the University of Kiel. She was previously lecturing at the universities of Würzburg, Erfurt and Jena. She studied Greek and Latin Philology as well as Philosophy in Würzburg, Thessaloniki and Padova. She received her MA in Ancient Greek from the University of Würzburg and her PhD in
Luca Pellarin (Erfurt) & Thomas Sojer (denʞkollektiv): Reading Pierre-Joseph Proudhon – Franz C. Overbeck and Simone Weil in catalogical notes.
The French political theorist Pierre-Joseph Proudhon (1809-1865), the German theologian Franz C. Overbeck (1837-1905), and the French philosopher Simone Weil (1909-1943) share an interest in rethinking socialism against the backdrop of a sharp criticism of Christianity. Proudhon lays the foundation of this philosophy, leaving Overbeck and Weil to carry on his heritage, albeit in opposed