Linn Tonstad (Yale) on “Writing the Suffering Body”

Ce poème [l’Iliade] est une chose miraculeuse. L'amertume y porte sur la seule juste cause d'amertume, la subordination de l'âme humaine à la force, c'est-à-dire, en fin de compte, à la matière.

Simone Weil, "L’Iliade ou le poème de la force”, 1939

Linn Tonstad

Abstract

Linn is associate professor of theology at Yale Divinity School.

In her talk, Linn is interested in Weil as a possible model of writing the suffering body, especially in the sense of the body that suffers limitation or non-immunity to what threatens and changes. “The body” appears in most academic writing as a reified object of contemplation, rather than as the origin of writing itself. Does Weil’s language allow reification as a writing strategy in order to open up what is more than a thing?

New contributions:

Thomas Hirschhorn (Paris): SIMONE WEIL WORKS

OVERVIEW Since 2019 at the Engadin Art Talks, Thomas Hirschon has intensively engaged with Simone Weil. The denʞkollektiv thanks Thomas to present seven art works: (1) Me, She, (2) Simone Weil Map, (3) Médaillon, (4) Cover for ‘Die Weltwoche’, (5) My Dreams, (6) SW Annabelle, and (7) Eternal Ruins. For more information visit: www.thomashirschhorn.com (1) ME,

Mehr ...

Luca Pellarin (Erfurt) & Thomas Sojer (denʞkollektiv): Reading Pierre-Joseph Proudhon – Franz C. Overbeck and Simone Weil in catalogical notes.

The French political theorist Pierre-Joseph Proudhon (1809-1865), the German theologian Franz C. Overbeck (1837-1905), and the French philosopher Simone Weil (1909-1943) share an interest in rethinking socialism against the backdrop of a sharp criticism of Christianity. Proudhon lays the foundation of this philosophy, leaving Overbeck and Weil to carry on his heritage, albeit in opposed

Mehr ...

Leave a comment