Isabella is a lecturer in Religious Studies at the University of Kiel. She was previously lecturing at the universities of Würzburg, Erfurt and Jena. She studied Greek and Latin Philology as well as Philosophy in Würzburg, Thessaloniki and Padova. She received her MA in Ancient Greek from the University of Würzburg and her PhD in Religious Studies (Orthodox Christianity) from the University of Erfurt. Her current research project is about the relationships between Religion, Dance and Race in Nazi Germany.
In her podcast, Isabella approaches the reading of La pesanteur et la grâce (1947) from a cultural studies perspective, namely, the extent to which new texts are created in the process of cutting up and assembling. In addition to the inevitable question of the author’s function, she also considers artistic forms of expression, such as the collage by Thomas Hirschhorn, “A Simone Weil Map”, which he created during the lockdown in Paris in spring 2020.
OVERVIEW Since 2019 at the Engadin Art Talks, Thomas Hirschon has intensively engaged with Simone Weil. The denʞkollektiv thanks Thomas to present seven art works: (1) Me, She, (2) Simone Weil Map, (3) Médaillon, (4) Cover for ‘Die Weltwoche’, (5) My Dreams, (6) SW Annabelle, and (7) Eternal Ruins. For more information visit: www.thomashirschhorn.com (1) ME,
Isabella is a lecturer in Religious Studies at the University of Kiel. She was previously lecturing at the universities of Würzburg, Erfurt and Jena. She studied Greek and Latin Philology as well as Philosophy in Würzburg, Thessaloniki and Padova. She received her MA in Ancient Greek from the University of Würzburg and her PhD in
Luca Pellarin (Erfurt) & Thomas Sojer (denʞkollektiv): Reading Pierre-Joseph Proudhon – Franz C. Overbeck and Simone Weil in catalogical notes.
The French political theorist Pierre-Joseph Proudhon (1809-1865), the German theologian Franz C. Overbeck (1837-1905), and the French philosopher Simone Weil (1909-1943) share an interest in rethinking socialism against the backdrop of a sharp criticism of Christianity. Proudhon lays the foundation of this philosophy, leaving Overbeck and Weil to carry on his heritage, albeit in opposed
For activity to be passive, it must receive something from beyond itself; it must be in excess of itself. By the spiritual I mean this fact of experience in excess of voluntary effort, of which exercise is a part. This distinction, it seems to me, is crucial. To a large part, the confusion which surrounds
Key In this poem, Stephanie refers to Simone Weil’s notion of “reading,” one of the ways we are physically imbricated in knowing. Stephanie shares Robert Kemp’s wish. Kemp speaks, as Thomas R. Nevin says, “for all Weil enthusiasts in the remark, comme on voudrait la rappeler sur cette terre, pour lui dire qu’on l’aime, et
Leseschlüssel Die hier gelisteten – teils veröffentlichten, teils unveröffentlichten – Notizen von Marcus Steinweg beziehen sich allesamt auf Simone Weil. Die Liste ist offen und wird schrittweise durch neue Notizen erweitert. RIGORISMUS An Simone Weil besticht ihr Rigorismus und ihre Klarheit. Noch wenn sie sich dem Alltäglichen zuwendet, geht der Vektor ins Nichts. Nie versenkt