Stephanie Strickland (New York): “Soul Learns Everything from Body”

Stephanie

Stephanie

is a poet living in New York City. She has published nine volumes of print poetry and co-authored eleven digital poems. Her files and papers are being collected by the David M. Rubenstein Rare Book And Manuscript Library at Duke University.

Key

In this poem, Stephanie refers to Simone Weil’s notion of “reading,” one of the ways we are physically imbricated in knowing. Stephanie shares Robert Kemp’s wish. Kemp speaks, as Thomas R. Nevin says, “for all Weil enthusiasts in the remark, comme on voudrait la rappeler sur cette terre, pour lui dire qu’on l’aime, et pour lui demander certaines précisions.”

SOUL LEARNS EVERYTHING FROM BODY

The bird forgets, 

                               but the trap does not. Cassandran,
her harsh voice worrying, probing: If any
human being show need of any other, a little
or a lot, why does the latter run away?

I have much experience, on one side or the other.

Everything from the body:
                                   a boy
running down the field can read so well, his hands
are unimpeded, have already caught the pass;
reached out before
                        he saw. Finally,
not to read at all: hands alone
fly up, whole body shaping the air, weaned, immediate.


The soul learns turning,
inclination,
fatigue:
to be worn down.


The body,
unastonished by reduction; it feels
what can be shown:
                             that there exist remarkable
leafless trees of blossom,
                                    tiny
back and forth of almond, long, touched, wands of pink
that shudder down their whole length and are blown to the pavement

almost at once—

This poem is published in her book, “The Red Virgin: A Poem of Simone Weil” (University of Wisconsin Press, 1993) and in “How the Universe Is Made: Poems New & Selected” (Ahsahta Press, 2019).

Red Virigin
.

New contributions:

Chris Kraus (Los Angeles): Simone Weil. Two Days in February

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Mark von Schlegell: Simone Azul

THE PAPIER collé AS PART OF THE »PAPIER collé SIMONE WEIL« WE INVITED WRITERS AND ARTISTS TO SHARE THEIR IDEAS ON SIMONE WEIL. SOME BITS AND PIECES, SOME MATERIAL, THOUGHTS… TRACES AND LINES THAT REVOLVE AROUND THEIR READING OR RESEARCH. LIKE A SUNDAY STROLL THROUGH AN IMMATERIAL-IMAGINATIVE LIBRARY. LIKE A BORGES READING MACHINE THAT UNENDINGLY

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Thomas Hirschhorn (Paris): SIMONE WEIL WORKS

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Luca Pellarin (Erfurt) & Thomas Sojer (denʞkollektiv): Reading Pierre-Joseph Proudhon – Franz C. Overbeck and Simone Weil in catalogical notes.

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Book Launch of ‘Effort and Grace’ by Simone Kotva

For activity to be passive, it must receive something from beyond itself; it must be in excess of itself. By the spiritual I mean this fact of experience in excess of voluntary effort, of which exercise is a part. This distinction, it seems to me, is crucial. To a large part, the confusion which surrounds

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